There’s a vagueness to Silver Haze even while its visuals are blunt and unflinching. All of this feels fitting for a film that takes its title from a strain of weed. 6.1/10
Tag: <span>2023</span>
Stroking an Animal is only 70 minutes long. And it fills those 70 minutes with two things: attempts at artsy cinematography (to varying levels of success) and sexy young people doing sexy things like having sex. Where’s the story? Where’s the character? Not in Stroking an Animal, that’s for sure. 2.4/10
Let’s Meet Halfway is a technically proficient small indie that does the damnedest with what little it had to work with. I’m going for forget all about it by the end of this week. 5.4/10
As a biopic, I find Marinette slightly below average. I think the film lacks focus and doesn’t do enough justice to the character at its centre. 4.9/10
Showing one’s real story is a respectable goal, especially when it’s something as frequently sensationalized as polyamory. But Petit Mal is so specific it doesn’t work as a portrait of polyamory. It only functions as a portrait of Ruth Caudeli’s specific relationship. 4.5/10
I cannot say the film is bad necessarily, but it’s just really something I didn’t need to see. Both because I’ve already seen other Flunk movies and because I’m not at a point yet where I want to see a romance that’s directly regarding the Covid-19 pandemic. 5.1/10
Light Light Light’s great creative choices elevate the film above many of the European coming-of-age films that came before. 7.9/10
Bad Things may be the sapphic equivalent of The Shining, but that equivalency is based on plot similarities, not equal quality. 4.6/10
What I liked about The Seed was its quicker, comedic pacing and the fact that it does cover some new ground that other similar films, especially dramas do not. What I don’t like about the film is that despite being a comedy, it’s not very funny. 4.7/10