The Freudian focus of The Escape is the rotten centre of a stylish and intriguing vintage WLW film. 5.2/10
Month: <span>August 2022</span>
Bodies Bodies Bodies scared me less than I expected, but made me laugh more. The film takes 20-something messiness and ramps it up so high that it has a body count. 7.7/10
Emilienne doesn’t have a strong enough story nor notable enough erotica. It’s very much a film meant to ride the coattails of an earlier, more successful movie. 3.6/10
I do not know who the audience is for the Compulsion remake. I can’t see anyone singling this out as a favourite movie of theirs. It never quite comes together. 5.4/10
Moonlit Winter stands out as a film that knows how to do more with less. 7.5/10
I genuinely want all WLW movies to be good. When Kiran Met Karen can’t be called good though. 1.8/10
For decades, Beyond the Walls would have been the best lesbian nun movie about a woman who fakes a stigmata. But Benedetta blows it out of the water. 5.6/10
While there is occasionally a lack of new ideas, Skin Deep stands out because it executes these ideas well. 7.3/10
Me, Myself and Her is one of the most conflict-light WLW movies I’ve ever seen. It bored me. 5.2/10