As a film about a queer family of choice, it’s more complex than many of the ones I watch. But I supposed I just wished all these queer misfits liked each other a little more. 6.1/10
Tag: <span>2020s</span>
I applaud The Exchange for all that it is, but I can’t honestly write that the movie was amazing or particularly innovative. It’s just a high school romance. 5.6/10
This feels like a muddled artistic vision that culminates in something that’s mostly dull and occasionally inexcusably offensive. 4.6/10
Love Lies Bleeding is an engaging, nasty and occasionally muddled crime picture. It’s a great addition to WLW movie canon because of how much it does that’s unique. 7.5/10
While Days of Happiness is not a bad film by any means, the Tár comparisons definitely hurt it as Tár is basically a masterpiece and Days of Happiness just isn’t on the same level. 6.0/10
Compared to the other works of one or more Coen brother, this film would rank near the bottom. Luckily, a lesser Coen film is still a decent time. 6.2/10
Most Netflix movies are a frequently bland product devoid of risk. And that’s Happy Ending’s depiction of queerness.
I’m glad that this film exists and that it was so successful depicting queer youth in such a harmless way. It’s hard to say I fully enjoyed it, though. As an adult, I am simply not the audience. 5.8/10
When Time Got Louder balances heart and actual knowledge and care in the depiction of a family with an autistic child. The solid centre means that even in the moments when the film flounders, the sum total of the film successful. 6.5/10
Behind Closed Doors covers so much ground in terms of plot and drama that could happen to gay women. But it completely fails to explore the possibility that being gay sometimes really does mean being happy. 2.6/10