WLW Film Reviews Posts

I respect basically all of the choices this small-budget Chinese film makes. But that small budget and distinctly bleak plot really does put a cap on how highly I can rate the film. 5.8/10

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.45

If you want to see Milla Jovovich kiss some women, that does technically happen in .45. But it’s infrequent and feels disingenuous when it does happen. And the rest of the movie doesn’t exactly make up for that. 3.5/10

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As a remake and really, as a queer film for someone as jaded as me, The Wedding Banquet exceeded my expectations. This is a pitch-perfect dramedy and a really excellent remake that expands on the original’s themes in a way the original could not have done. 9.0/10

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I don’t think this movie adds much to the conversation in regards to the film’s two major themes: grief, and restaurant ownership. 5.1/10

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Tormenting the Hen felt like the product of a writer’s retreat; calibrated and intentional but potentially out of touch with an audience beyond other creatives. 4.7/10

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The film is an artistic exploration of people at the fringes of a subculture. It crafts that subculture as something capable of great beauty under the direction of Monika Treut and her colour-saturated, Dutch angle-loving camera. 7.3/10

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Prom Dates is like if Booksmart was designed by a Disney+ committee. That’s all you need to know, really. 5.5/10

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There are arguments or explorations of how this movie does representation, particularly of its sapphic characters. Such a topic would be a great one for me and my website to cover. Too bad I don’t feel strongly enough about this movie to do that. 4.6/10

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Scrubbers is an excellent piece of feminist filmmaking and a welcome alternative to women in prison exploitation. Its understanding and depiction of humanity is something that looks so easy under the eye of director and co-writer Mai Zetterling. 8.2/10

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