Cheap, amateur and uninspired, Louise and Her Lover is a chore to sit through. 1.9/10
Tag: <span>country: usa</span>
Baja Come Down just doesn’t give you enough reason to care about any of this. It fails to elevate this realistic story into something that feels like art that would move its audience. 2.8/10
Suicide Kale is fine. It has some minor laughs, mild intrigue and some genuine empathy at its centre. But it’s not exactly a standout in any way. 5.5/10
Cora Bora is a fun, very modern comedy. It’s not a romance, but is focused on various relationships. And the focus of said relationships is largely what’s funny about them? And the answer is a lot. 6.8/10
Reform School Girl has some interesting ideas, but none of them really pan out because the film lacks focus. 3.6/10
Because of the quality of the script, Julie Johnson transcends the mundane into being a really beautiful, moving piece of art. 7.8/10
While at times the movie skews a bit edgier, this is a very safe, entry-level sort of punk scene on display. The kind of punk ready to be beamed into your living room for a safe, stay-at-home watching experience. 5.9/10
Chestnut is ultimately too unremarkable of a film to do anything for me. 4.7/10
As much as I spent part of the film imagining a better version, I’m also still pretty happy with the one we got. This is a funny, heartfelt film about friendship and the process of coming out a little later than most people. 6.9/10
I have respect Gridiron Grind because of the story it chose to tell. But I also really wish that the execution of that story had matched the potential of this narrative.