As a WLW/lesbian film, Sand Dollars only partially succeeds. As a 90 minute advertisement for the Domincan Republic, it is much more successful. 6.2/10
Category: <span>Reviews</span>
In the months that have passed between me seeing Frauensee and writing this review, the only thing that sticks in my mind about this movie is how spectacularly average it is. I have never seen a movie that’s so aggressively 5/10. It is a remarkably unremarkable film.
This movie has really lofty goals of making a political statement and doing a shocking, genre switch but the talent behind the camera is not such that it can realistically achieve those goals. 3.5/10
There’s an old adage to write high and edit sober. Liquid Sky shows that such advice should be extended to acting and directing sober as well. 6.2/10
I’m qualified to review lesbian content but the lesbian characters, like every other character in this film function as a metaphor for something which I lack full understanding of. 7.2/10
If you want to see lesbian sex scenes directed by an actual lesbian then this movie exists. However, Inescapable has no merit as a movie on any other front. 4.6/10
Without exaggeration, The Handmaiden is the best WLW film I’ve seen and though I haven’t seen all of them (yet), I feel pretty confident saying this is one of the all-time bests of the entire genre. 9.7/10
Are you guys ready for some Homosexuality 101? Because that’s what this film is. 4.4/10
I’m not sure who it was who saw a photo of Aileen Wuornos and thought the inhumanly beautiful Charlize Theron would be the best choice to play her but that decision ended up working really well. 8.9/10
The Guest House is another jewel in the crown of shitty lesbian movies made by male filmmakers. 3/10