Because of the quality of the script, Julie Johnson transcends the mundane into being a really beautiful, moving piece of art. 7.8/10
Tag: <span>2001</span>
As some sort of standalone TV episode, this could’ve worked. But weak as The Girl’s story is, even the cool and sexy vibes can’t sustain it for a full movie runtime. 4.6/10
Love/Juice has one of the most fascinating, fucked up and tragic relationship dynamics I’ve seen in a WLW film. I’m blown away that this tiny little indie pulled off such dramatic heights. 7.4/10
Karmen Geï’s main themes are universal; music, sexuality and the power of a beautiful woman. 6.9/10
Despite its run time being in the 90 minute range, the film felt slow and far too long. It’s frustrating because I think Replay could be an interesting movie if it just did more. But it didn’t. 4.9/10
I think I would’ve really enjoyed The Monkey’s Mask novel. But the movie adaption of said novel? Meh. 4.7/10
Kissing Jessica Stein is one of few well-done looks at bisexuality, sexual experimentation and the difference between romantic and sexual attraction. 7.9/10
There’s no joy to be found in Lost and Delirious nor positive representation of queer people. It just seems like all this queer tragedy could have been avoided if anyone had a lick of sense or had a rational conversation. 4.9/10
David Lynch is definitely not human but he has certainly mastered the human art form of the film. Mulholland Dr. is must-watch for any WLW out there who use the word film instead of movie. 9.5/10