There are some universal themes in Red Cow, of course. But even these themes are always explored through a lens of cultural specificity. This is Red Cow’s triumph. 6.6/10
Tag: <span>2010s</span>
Chedeng and Apple is dark, it’s funny and it also has a truly beautiful amount of heart to it. 7.6/10
Jules of Light and Dark has much in common with its protagonist. Both are vague, aimless and don’t evoke any strong emotion in me as a viewer. 3.6/10
Get ready to yearn in harmony , because Farewell Song will make you do just that. 7.1/10
For a movie that exceeds the two hour mark, I expected there to be more… something to West North West. 5.5/10
Hallmark movies can feel like a warm mug of cocoa. City of Trees is more like a glass of water you left on your bedside table in December over night for a week. 3.8/10
Road of Bygones found a really interesting hook that makes itself stand out from other, similar indie movies. It’s such a good hook that I think the film should’ve pivoted to that being the entire premise. 5.9/10
Ashamed has ambitions of being artsy and profound. Unfortunately, such ambitions were lost on me. I spent most of the movie just trying to keep straight what was happening. 3/10
The amount of poly films I’ve seen probably lessens my regard for this specific one. I’ve seen the beats of this story many times before. And Before We Grow Old’s take on those beats is a particularly boring one. 4.8/10
Most sapphic movies that are bad and cheap are just boring. Butterfly Crush ain’t boring. It’s weird as hell and so incompetent it almost reaches the uncanny valley Yeah, the core love story here is between a man and a woman. But please, let me have this one. I need it. 2.1/10