Representation alone is not enough to make a good movie. I Hate New Year’s is cliche and feels perfectly willing to stew in its own mediocrity. 4/10
Tag: <span>2020s</span>
Lots of Ride or Die felt like a missed opportunity of the most irritating sort; one that gets very close to being good but doesn’t quite get there. 5.5/10
Because it’s the only on in the category, A New York Christmas Wedding is the best pro-Christian, pro-lesbian film I’ve ever seen. It’s also bad and most importantly, baffling and insane. 3.6/10
The summary of Knocking I read promised to, “keep you guessing until the very end.” And for me at least, it did. 7/10
Comets was primarily average and then just confusing which made for a somewhat frustrating viewing experience. 4.8/10
If you like blashphemy, you’ll love Paul Verhoeven’s new film, Benedetta. 8.5/10
The World to Come is beautiful, sensual, subtle, and really, really, fucking sad. 8.9/10
There’s a definite artistry and a lot of success found in the imperfect and perhaps too long One in a Thousand. 5.9/10
This movie has already aged badly. And even without the offensive or dated aspects, it’s still a lacklustre comedy. 3.3/10
Bloodthirsty is a mixed bag of really good direction and below average storytelling. 5.3/10