Spring is borderline remarkable simply because of how unremarkable it is. 5.1/10
Tag: <span>2020s</span>
The Aerialist is a weaker follow-up to the first film, The Gymnast. And I thought The Gymnast was just okay. 5.2/10
long Came Wanda is the first WLW film I’ve seen that includes the Covid-19 pandemic. And especially because this movie is very much a rom-com, I think maybe they shouldn’t have. 4.0/10
More than being an involved story, To Kill the Beast is a celebration of what can be accomplished with the moving image. It’s all vibes all the time. 6.9/10
Do Revenge is a Netflix movie. And Netflix as an entire brand proves that things can be popular without being cool. Do Revenge just isn’t cool. 5.4/10
I thought I didn’t like these Christmas movies because they’re cliche. Turns out, I just didn’t like them because they’re all straight. Under the Christmas Tree gives me and other queer women a sweet, cliche romance that allows us to fantasize or imagine ourselves in. 6.6/10
There’s so much more subtly to Tár than I expected. This is an exceptional character study of a woman who is awful, but in a way that feels complex and real. 8.4/10
I love the message of this film and came to enjoy the characters. But my god, Badhaai Do was too long. 6.0/10
Monstrous isn’t terrible. It’s competent, but fails to bring real scares. There’s also not enough Yeti representation. 4.3/10
I hope streaming service Shudder keeps snapping up these gay A24 cast-off horror films. The Last Thing Mary Saw might not be as good as say, The Witch, but few things are. 7/10