Fresh Kill doesn’t quite manage to marry its political and philosophical observations with its fictive narrative. 5.8/10
Tag: <span>genre: sci-fi</span>
Showing beautiful women in a way that doesn’t feel overtly objectifying or gross is way, way too low of a bar for me to call this a good movie. 4.3/10
The sci-fi universe of Harmony is a welcome change of pace from yet another romantic drama. 7.3/10
I said it before and I’ll say it again; After Blue is weird as shit and I am 100% here for it. 8.5/10
Aniara is the best WLW sci-fi film I’ve seen by a significant margin. This is an intelligent, thought-provoking film. 8.9/10
Comets was primarily average and then just confusing which made for a somewhat frustrating viewing experience. 4.8/10
Prey is not bad because it lacked good ideas. It is bad because it squandered the good ideas it did have. 4/10
I want to support this horror film with a committed, non-objectified lesbian couple who get drawn into a psychic conspiracy. But the execution of the ideas is just not up to par. 4.5/10
I love the concept of Riot Girls. A post-apocalypse with queer protagonists where apparently everyone deals with the apocalypse by getting really into punk? Hell yeah! 6.4/10
Strange Frame: Love and Sax occupies a wholly unique space in the WLW film pantheon. The film has big ideas and a lot of creativity. Where it falters is its execution. 5.7/10