The Fallout. This is an incredibly sensitive and well-directed tragedy about specifically American teenagers. Megan Park really knows how to create a young female protagonist who is realistic, interesting, flawed and engaging to watch. 9.0/10
Tag: <span>2022</span>
ill Two Dash One One stand up against the all-time great films about death and the afterlife? Maybe not. But especially for a small budget indie, I really welcomed a more novel approach to the stories one can tell under those conditions. 5.7/10
I really recommend this one. It’s a great example of a comedy specifically made on a small budget that maximizes all of its good qualities and minimizes its limitations. 7.1/10
having seen numerous of these toxic female relationship films, Heartbeast’s artistic merits and gripping atmosphere kept me on the edge of my seat. That’s what I want a thriller to do and that’s often something I miss from this subgenre. 6.7/10
The best thing I can say about it is that it didn’t monumentally fuck anything up. I’ve seen my fair share of movies that fail to meet that requirement. However, not fucking up doesn’t mean Us x Her did anything particularly good, either. 4.6/10
Love Is a Map is a decent indie movie. Shame it left almost no memorable impression on me. 5.2/10
Far from depicting unconditional love, Coming Home For Christmas portrays extremely conditional love and support. There’s a line in the movie about how family should be the place where you can be the truest version of yourself. But everything that happens in this movie disproves that. 2.7/10
Splendid Isolation is some sort of ambient apocalypse. I’m not entirely sure I’m on board with that as a mood. But I still respect this film’s uniqueness, intent and especially its incredibly strong visuals. 5.6/10
The movie manages to combine universal themes with specific, local details. Shame about that ending though. 6.0/10
Lasse Hallström is not stretching himself with Hilma. But even him phoning it in still amounts in a decent film. 6.4/10