Featuring a brilliant cast headed by Lily Tomlin, Paul Weitz’s Grandma is a funny and heartfelt movie whose main character is a lesbian senior citizen. 8.8/10
Tag: <span>country: usa</span>
While I think that Claude’s character will be relatable for a lot of queer female viewers, it doesn’t save the fact that this isn’t a particularly good movie. All Over Me feels ultimately aimless. 5.5/10
Can You Ever Forgive Me? is a small, personal movie. It is not about someone changing the world or experiencing some major historical event. It’s just a small scale, very human tragedy. It remains gripping due to its excellent writing directing and superb performances. 8.8/10
Bloomington didn’t blow me away with how good it was or anything. But it is significantly better than I expected and one of my favourite depictions of a WLW teacher/student relationship. 5.7/10
Sure, Breaking the Girls has more lady kissing in it than most but overall, it’s like the literally bazillion other mediocre thrillers that make the same mistake of thinking more misdirects equals a better movie. 4.6/10
The combination of her performance and beauty made Gia Angelina Jolie’s breakout performance and she totally deserved it. Jolie is downright exceptional in this. 8.2/10
Even in its somewhat unfocused, weirdly stylized state, Bound has more charm and entertainment value than most queer films I’ve watched. 8.4/10
The key requirement of a thriller film is right there in its title. A thriller should thrill its audience. Therefore, Chloe is not a successful movie. 4.9/10
D.E.B.S. is a rarity within the WLW film genre in two ways. The first is that it’s an action movie, the second is that is has a happy ending. I champion both of these genres. On the downside, when I watch a WLW film, I don’t like it to stylistically remind me of the live action Scooby-Doo films. 6.1/10
Genuinely funny yet effectively dramatic, Saving Face is a successful film with great characters, writing and performance. 8.4/10