Loss Prevention got a few laughs out of me and put me in a good mood. I enjoyed seeing a professional wrestler depict one of the best fathers in lesbian cinema. But ultimately, I don’t think this is quite good enough to get the passing grade. 4.9/10
Tag: <span>country: usa</span>
Personally, I did not enjoy The Ladies Almanack. That being said, the amount of love, passion and creativity present in every shot in this film is something I admire. 4.6/10
You’re Not Supposed To Be Here is a Lifetime thriller. There was basically a 0% chance this thing was going to be good. But at least it’s a watchable kind of bad. 4.2/10
August at Twenty-Two came too late in the mumblecore subgenre to be a classic. But even if it had a release ten years earlier, I doubt it would’ve been then either. 5.5/10
while in the grand scheme of all movies, maybe S&M Sally isn’t an all-time great, it’s still a pretty solid feature that is funny, knowledgeable about BDSM and shows continued growth from creator, Michelle Ehlen. 5.8/10
Backspot has a lot of strengths. Primarily, the rendering of its main character and the incredible performance from Jacobs. But the film is a touch uneven and unfocused. 5.8/10
Heartland is just the next victim of my WLW film burnout era. While the film is competent, there isn’t enough here that’s unique and memorable to me. 5.3/10
There’s no edge to Bar Girls at all. This is a film that takes the still taboo theme of homosexuality and tries to make it as palatable as possible for the mainstream. And it doesn’t even look like that worked. 4.6/10
Wild Things: Diamonds in the Rough created an idealized, misogynistic world where the only women in it are hot. And then made the choice to hate all the women it just made up. 2/10
I watched What It Was. And upon completion, I could not actually tell you what it was. 2.7/10