The Duke of Burgundy was a largely critically acclaimed, well-directed art film that unflinchingly explores a lesbian BDSM relationship and all the relationship facets thereof. Yet despite all this critical acclaim and beautiful cinematography, I wasn’t a huge fan.
Tag: <span>language: english</span>
The combination of her performance and beauty made Gia Angelina Jolie’s breakout performance and she totally deserved it. Jolie is downright exceptional in this. 8.2/10
Cracks is a good-looking take on an unoriginal premise. Whether or not this movie is for you is going to depend on how much you value visuals over script.
Even in its somewhat unfocused, weirdly stylized state, Bound has more charm and entertainment value than most queer films I’ve watched. 8.4/10
My main critique of When Night is Falling is one that is maybe spawned out of envy. I just feel like Camille might be too bland to deserve her super cool, devoted circus girlfriend. 6.0/10
The key requirement of a thriller film is right there in its title. A thriller should thrill its audience. Therefore, Chloe is not a successful movie. 4.9/10
Despite every single one being what the internet would call, “problematic,” no sub-genre of WLW films will ever bring me more joy than 70’s vampire movies. Daughters of Darkness is a particular standout in a genre. 8.5/10
I really wanted to and expected to like Tell it to the Bees. However, it was neither completely enjoyable nor interesting. 5.2/10
D.E.B.S. is a rarity within the WLW film genre in two ways. The first is that it’s an action movie, the second is that is has a happy ending. I champion both of these genres. On the downside, when I watch a WLW film, I don’t like it to stylistically remind me of the live action Scooby-Doo films. 6.1/10
Genuinely funny yet effectively dramatic, Saving Face is a successful film with great characters, writing and performance. 8.4/10