On its own, And Then Came Lola is poor. Having seen the film it’s based on, it becomes infuriating. Any film that bases itself so heavily on an existent film is risky because it welcomes comparisons to the original. In this case, And Then Came Lola came up short time after time. 2.8/10
Tag: <span>language: english</span>
If you’re going to watch just one WLW vampire movie, first of all, I can’t relate to you; we have nothing in common. Second of all, make that movie The Hunger. 9.1/10
Cloudburst is just delightful. It’s a sweet, funny, touching film. You’ll laugh, you’ll cry, you’ll be indignant and upset about the troubles queer senior citizens can face. 9.3/10
One of Bare’s major sins is the fact that is is deeply forgettable. By the time it ends, I’d already forgotten how it started. The only aspect of Bare that broke through and made an impression on me was its general incompetence. 4.2/10
David Lynch is definitely not human but he has certainly mastered the human art form of the film. Mulholland Dr. is must-watch for any WLW out there who use the word film instead of movie. 9.5/10
Jailbait is bad exploitation. It’s just not fun to watch. It’s not sexy or fun or creative. It’s just dirty in all the wrong ways. 2.6/10
I’m really struggling to determine whether or not I like this film or would recommend it. Because The Children’s Hour is in many ways objectively good but also deeply homophobic, sexist and made me sad.
I was under the impression Jack and Diane was a movie with WLW and werewolves. It is not. I am not even sure what it is other than not good. 3.8/10
Basically if you wanna see this movie for lesbian sex, it’s worth it. If you’re neutral to negative on that aspect though, Below Her Mouth has nothing else to offer. 5.9/10
There’s a great deal of things that happen in The Favourite. Some of it is queer love, some of it is politics, some of it is unknowable to me because director Yorgos Lanthimos is a weird dude. All of it is very, very good. 9.4/10