Unexpected was almost exactly what I expected for a German TV movie about a lesbian romance. No real surprises here! 5.8/10
Tag: <span>language: german</span>
The brief period of time where at least in fiction, you could hide away from the troubles of the world in the arms of a pretty girl might be coming to an end. In its place is Foreign Language, where even in the arms of a pretty girl, the rise of far-right extremism and environmental collapse loom ever-present. 7.7/10
NIMBY bites off more than it can chew. But I respect the attempt. This film is listed as a comedy and there are some jokes. But the subject matter is too dark and too prescient to be particularly funny. 5.3/10
In 600 WLW movies, I’ve seem so absolute garbage. And Don’t Look at Me That Way isn’t on that level. But that doesn’t mean there’s enough here to recommend either. 4.6/10
Two Mothers is probably the most standard lesbian pregnancy drama film I’ve seen. And I’ve seen most of them. 5.5/10
Axolotl Overkill is a stylized and challenging film with great cinematography. It’s a deeply impressive debut from Helene Hegemann. 5.6/10
As much as I don’t always understand that intent, The Girl and the Spider engaged me and caused me to think about deeper fictional themes than most movies, WLW or otherwise. 6.6/10
It’s obvious Ulrike Ottinger is intelligent and wants her art to say things. She also wants to experiment. But the thing about experiments is that they don’t always work. While Madame X’s feminist statement came through, some specifics were probably lost on me. 5.6/10
Virgin Machine is a fascinating artistic snapshot of feminist and filmmaking in West Germany; a country that would cease to exist less than two years after Virgin Machine’s release. 6.4/10
Everything Will Be Fine feels like the future. This film is youthful, modern and effortlessly progressive. 6.5/10