The Slave is one of the most stylish softcore films I’ve seen. It delves deeper into kink than other similar movies. What I would give for a version of this movie that had dialogue to back up the rest of the film’s good qualities. 5.6/10
WLW Film Reviews Posts
Personally, I did not enjoy The Ladies Almanack. That being said, the amount of love, passion and creativity present in every shot in this film is something I admire. 4.6/10
The First Girl I Loved (2019) is not the most groundbreaking or ambitious film, especially in its visual choices. But this small-scale tragedy is tender enough to generate some emotion. 6.1/10
You’re Not Supposed To Be Here is a Lifetime thriller. There was basically a 0% chance this thing was going to be good. But at least it’s a watchable kind of bad. 4.2/10
Beyond being talented and focused on sapphic stories, Lee’s consistency as a creator is something incredibly commendable. Please put her on your radar. Nobody out there is doing it like Samantha Lee. 7.1/10
August at Twenty-Two came too late in the mumblecore subgenre to be a classic. But even if it had a release ten years earlier, I doubt it would’ve been then either. 5.5/10
This is a really forgettable film with a standard premise and below average execution. 3/10
while in the grand scheme of all movies, maybe S&M Sally isn’t an all-time great, it’s still a pretty solid feature that is funny, knowledgeable about BDSM and shows continued growth from creator, Michelle Ehlen. 5.8/10
In 600 WLW movies, I’ve seem so absolute garbage. And Don’t Look at Me That Way isn’t on that level. But that doesn’t mean there’s enough here to recommend either. 4.6/10
Backspot has a lot of strengths. Primarily, the rendering of its main character and the incredible performance from Jacobs. But the film is a touch uneven and unfocused. 5.8/10