May’s weirdness as a film and as a character brilliantly exemplifies some of the themes of queer horror. There’s definite appeal here for queer people, weirdos and anyone who considers them self an outsider. 7.1/10
Tag: <span>2000s</span>
I genuinely want all WLW movies to be good. When Kiran Met Karen can’t be called good though. 1.8/10
Maple Palm is not the worst WLW movie I’ve ever seen. There’s exactly four WLW movies that are worse than it. 1.6/10
Mango Kiss is one of the least sexy depictions of kink I’ve ever seen. For a comedy movie, that shouldn’t be a problem. But it’s not funny either. 3/10
Goldfish Memory fits a truly insane amount of character and plot into its runtime. And it does so without feeling too overstuffed. 6.7/10
Finale is a waste of 75 minutes. The film has little plot and little talent on display. 1.7/10
The final cut of Taymor’s film still manages to be a celebration of a radical, artistic and endlessly complex woman. 8.4/10
Karmen Geï’s main themes are universal; music, sexuality and the power of a beautiful woman. 6.9/10
18 years on, Producing Adults’ attitude towards autonomy, informed consent and adult communication feels outdated. 5.1/10
Threesome Affair’s mediocrity is so unremarkable and uninspiring that it tips the movie into negative territory. 3.9/10