Bad Girl never thinks too far outside the box. But inside that box it at least has decent directing, good pacing and good acting. 5.9/10
Tag: <span>2010s</span>
Within trying to undo a faulty narrative and craft a new one, Wild Nights made the delightful choice to do so with comedy. 9/10
Nina isn’t a wholly new story or anything that warrants a two hour and ten minute runtime yet here we are. 5.1/10
The Perfume of Memory never feels fully like a story or film but like a proof of concept. It’s less of a film on its own and more proof that Oswaldo Montengegro could make a film. 2.4/10
ou, Me and Him has a lot to say about pregnancy. Mostly, it does so in a way that lends itself well to comedy. And then, it plunks you in the deep end of despair out of nowhere. 6.0/10
Maybe Tomorrow brims with youthful energy and fresh ideas. 7.1/10
There are positives to Elvis & Madonna but even those positives come out of a place of there just not being enough trans narratives so I’ll take what I can get. 5.4/10
The best decision Dee Rees made with Bessie was to leave the character on a high note. 8.4/10
I don’t think I’ve ever seen a WLW movie that has a bigger disparity between the quality of its writing and the quality of its directing than Take Me For a Ride. 5.0/10
I was incredibly surprised to learn a woman directed Baby Jane as it seems to genuinely dislike its female characters and what they stand for. 3.6/10