Tag: <span>2024</span>

The brief period of time where at least in fiction, you could hide away from the troubles of the world in the arms of a pretty girl might be coming to an end. In its place is Foreign Language, where even in the arms of a pretty girl, the rise of far-right extremism and environmental collapse loom ever-present. 7.7/10

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Cora Bora is a fun, very modern comedy. It’s not a romance, but is focused on various relationships. And the focus of said relationships is largely what’s funny about them? And the answer is a lot. 6.8/10

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This a quiet, tragic portrait of personal grief. But also a story that is incontrovertibly tied into issues of rights and equality for same-sex couples. 7.3/10

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Chestnut is ultimately too unremarkable of a film to do anything for me. 4.7/10

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As much as I spent part of the film imagining a better version, I’m also still pretty happy with the one we got. This is a funny, heartfelt film about friendship and the process of coming out a little later than most people. 6.9/10

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Backspot has a lot of strengths. Primarily, the rendering of its main character and the incredible performance from Jacobs. But the film is a touch uneven and unfocused. 5.8/10

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As a film about a queer family of choice, it’s more complex than many of the ones I watch. But I supposed I just wished all these queer misfits liked each other a little more. 6.1/10

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Love Lies Bleeding is an engaging, nasty and occasionally muddled crime picture. It’s a great addition to WLW movie canon because of how much it does that’s unique. 7.5/10

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Compared to the other works of one or more Coen brother, this film would rank near the bottom. Luckily, a lesser Coen film is still a decent time. 6.2/10

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