Let’s Meet Halfway is a technically proficient small indie that does the damnedest with what little it had to work with. I’m going for forget all about it by the end of this week. 5.4/10
Tag: <span>country: usa</span>
I really recommend this one. It’s a great example of a comedy specifically made on a small budget that maximizes all of its good qualities and minimizes its limitations. 7.1/10
The Midwife’s Tale is something new in WLW movie canon, a bedtime story. And it’s not just new, but well executed and not-so-subtly radical in its themes of queerness, feminism and reproductive health in medieval and modern times.
Jules of Light and Dark has much in common with its protagonist. Both are vague, aimless and don’t evoke any strong emotion in me as a viewer. 3.6/10
Over Easy shows a strong understanding of what is realistically possible for a film with a small budget. It is a small, focused story with funny moments. However, I worry the story might actually be too small to fill out a feature film. 5.1/10
Love Is a Map is a decent indie movie. Shame it left almost no memorable impression on me. 5.2/10
Far from depicting unconditional love, Coming Home For Christmas portrays extremely conditional love and support. There’s a line in the movie about how family should be the place where you can be the truest version of yourself. But everything that happens in this movie disproves that. 2.7/10
Hallmark movies can feel like a warm mug of cocoa. City of Trees is more like a glass of water you left on your bedside table in December over night for a week. 3.8/10
Road of Bygones found a really interesting hook that makes itself stand out from other, similar indie movies. It’s such a good hook that I think the film should’ve pivoted to that being the entire premise. 5.9/10
Walk With Me is about as interesting as its title. If this movie was a colour, it would be beige. 5.2/10