Camila Comes Out Tonight is a perfectly competent little film. I am not overly moved only because of the sheer abundance of coming-of-age queer films I’ve seen. 5.8/10
Tag: <span>genre: drama</span>
Two has good directing, acting, and a solid first hour. However, the rushed final act keeps the film from being something I can call overall good. 5.6/10
Lianna is a progressive, sensitive and spectacular character study. 8.9/10
The Freudian focus of The Escape is the rotten centre of a stylish and intriguing vintage WLW film. 5.2/10
Emilienne doesn’t have a strong enough story nor notable enough erotica. It’s very much a film meant to ride the coattails of an earlier, more successful movie. 3.6/10
Moonlit Winter stands out as a film that knows how to do more with less. 7.5/10
I genuinely want all WLW movies to be good. When Kiran Met Karen can’t be called good though. 1.8/10
For decades, Beyond the Walls would have been the best lesbian nun movie about a woman who fakes a stigmata. But Benedetta blows it out of the water. 5.6/10
While there is occasionally a lack of new ideas, Skin Deep stands out because it executes these ideas well. 7.3/10
Me, Myself and Her is one of the most conflict-light WLW movies I’ve ever seen. It bored me. 5.2/10