If nothing else, Men Not Allowed is one of very few WLW movies with a theme song. Western cinema, take note. If you’re gonna make a bad movie, at go balls to the wall on the editing. And give it a theme song. I think every WLW movie should have a theme song. 3.1/10
Tag: <span>genre: romance</span>
Unfortunately, a good softcore film is still an at best, average film. For that reason, I can’t give it higher than a mixed review. But if you are looking for a lesbian softcore flick, Coming Out is a way better option that any of the trashy 70s stuff. 5.0/10
80 Days is such a sweet movie. The two lead characters are so charming to watch together. I could’ve easily watched 800 days of them. 8.1/10
Spring is borderline remarkable simply because of how unremarkable it is. 5.1/10
Queer people deserve this sort of wish fulfillment, cliche romantic media. More than that, they deserve it to be good. The Substitute is here to be an entry into that all too rare club of quality queer wish fulfillment romances. 6.9/10
long Came Wanda is the first WLW film I’ve seen that includes the Covid-19 pandemic. And especially because this movie is very much a rom-com, I think maybe they shouldn’t have. 4.0/10
The medium chosen to tell this story and the quality of directing brings down Stud Life’s vibrant, likeable and realistic protagonist. 5.1/10
I thought I didn’t like these Christmas movies because they’re cliche. Turns out, I just didn’t like them because they’re all straight. Under the Christmas Tree gives me and other queer women a sweet, cliche romance that allows us to fantasize or imagine ourselves in. 6.6/10
Nice though it is to look at, Bonnie & Bonnie doesn’t bring much new to the gay couple crime spree subgenre. 5.8/10
The War Widow undoubtedly looks like a 1976 TV movie. But within that framework, there is a sweet, small yet quietly radical romance. 6.3/10