Films piss me off when they’re offensive or feel like they’re not trying. Intentions isn’t offensive and I think everyone was trying their hardest. Tragically, all this trying just didn’t lead to any success. 2.5/10
Tag: <span>language: english</span>
You Can Live Forever is a perfectly good movie. I wish it was great. But not all art is great. There’s still a solid idea and good performances here. 6.7/10
Sword of Trust really works because of how well everyone understands the universe and the movie that they’re in. This feels like more of a collaboration between filmmaker and actors than most scripted films. 6.8/10
There’s so many issues of taste and morals worthy of critique in Helga, She Wolf of Stilberg. But my main issue with the film is how half-assed it is. If you’re gonna go there, go there! Make a movie too extreme for me to watch. Helga wasn’t that at all. 3.2/10
Can I say that this dialogue-free film kept my attention for its entire run time? I absolutely cannot. 5.4/10
Two Mothers for Zachary is a well-meaning but undoubtedly dated TV movie. Its approach to gay rights is primarily to show gay oppression without victory. 6.4/10
I can at least respect when a movie swings big and misses spectacularly. Listen isn’t that. It’s more of a film that does the bare minimum to hold together and make a quick buck. 3.8/10
Spring is borderline remarkable simply because of how unremarkable it is. 5.1/10
The Aerialist is a weaker follow-up to the first film, The Gymnast. And I thought The Gymnast was just okay. 5.2/10
long Came Wanda is the first WLW film I’ve seen that includes the Covid-19 pandemic. And especially because this movie is very much a rom-com, I think maybe they shouldn’t have. 4.0/10