Featuring a brilliant cast headed by Lily Tomlin, Paul Weitz’s Grandma is a funny and heartfelt movie whose main character is a lesbian senior citizen. 8.8/10
Tag: <span>language: english</span>
While I think that Claude’s character will be relatable for a lot of queer female viewers, it doesn’t save the fact that this isn’t a particularly good movie. All Over Me feels ultimately aimless. 5.5/10
Can You Ever Forgive Me? is a small, personal movie. It is not about someone changing the world or experiencing some major historical event. It’s just a small scale, very human tragedy. It remains gripping due to its excellent writing directing and superb performances. 8.8/10
Bloomington didn’t blow me away with how good it was or anything. But it is significantly better than I expected and one of my favourite depictions of a WLW teacher/student relationship. 5.7/10
Sure, Breaking the Girls has more lady kissing in it than most but overall, it’s like the literally bazillion other mediocre thrillers that make the same mistake of thinking more misdirects equals a better movie. 4.6/10
The Duke of Burgundy was a largely critically acclaimed, well-directed art film that unflinchingly explores a lesbian BDSM relationship and all the relationship facets thereof. Yet despite all this critical acclaim and beautiful cinematography, I wasn’t a huge fan.
The combination of her performance and beauty made Gia Angelina Jolie’s breakout performance and she totally deserved it. Jolie is downright exceptional in this. 8.2/10
Cracks is a good-looking take on an unoriginal premise. Whether or not this movie is for you is going to depend on how much you value visuals over script.
Even in its somewhat unfocused, weirdly stylized state, Bound has more charm and entertainment value than most queer films I’ve watched. 8.4/10
My main critique of When Night is Falling is one that is maybe spawned out of envy. I just feel like Camille might be too bland to deserve her super cool, devoted circus girlfriend. 6.0/10