Tag: <span>mixed review</span>

While not bad as a film, this is a story I’ve seen multiple times done both better and more interesting. Gasoline is ultimately pretty forgettable if you’ve seen more than one queer crime film. 5.1/10

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Beyond its underrepresented protagonist, there’s such a strong sense throughout the film of Jorge Manzano’s passion and talent as a storytelling. But so many of the decisions and limitations brought on by budget hinder that story from reaching its full potential. 5.0/10

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While at times the movie skews a bit edgier, this is a very safe, entry-level sort of punk scene on display. The kind of punk ready to be beamed into your living room for a safe, stay-at-home watching experience. 5.9/10

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NIMBY bites off more than it can chew. But I respect the attempt. This film is listed as a comedy and there are some jokes. But the subject matter is too dark and too prescient to be particularly funny. 5.3/10

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I have respect Gridiron Grind because of the story it chose to tell. But I also really wish that the execution of that story had matched the potential of this narrative.

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The Slave is one of the most stylish softcore films I’ve seen. It delves deeper into kink than other similar movies. What I would give for a version of this movie that had dialogue to back up the rest of the film’s good qualities. 5.6/10

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The First Girl I Loved (2019) is not the most groundbreaking or ambitious film, especially in its visual choices. But this small-scale tragedy is tender enough to generate some emotion. 6.1/10

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August at Twenty-Two came too late in the mumblecore subgenre to be a classic. But even if it had a release ten years earlier, I doubt it would’ve been then either. 5.5/10

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while in the grand scheme of all movies, maybe S&M Sally isn’t an all-time great, it’s still a pretty solid feature that is funny, knowledgeable about BDSM and shows continued growth from creator, Michelle Ehlen. 5.8/10

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Backspot has a lot of strengths. Primarily, the rendering of its main character and the incredible performance from Jacobs. But the film is a touch uneven and unfocused. 5.8/10

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