Blue Jean is great at showing at once how far the LGBTQ* community has come and how much work still must be done to reach equality. All of this is done with a tight, focused narrative, assured directing and solid performances. 7.9/10
Tag: <span>positive review</span>
Anaïs is an engaging portrait of a very messy woman with very messy relationships. While its writing isn’t as strong as The Worst Person in the World, the visuals and aesthetics of the film make it a more than pleasant sit. 6.7/10
We Will Never Belong is a huge success. Director Amelia Eloisa has constructed not just characters but a multi-sensory world. Her self-assured cinematography and focus on sensory experiences makes this film beautiful and emotional. 7.6/10
Virgin Machine is a fascinating artistic snapshot of feminist and filmmaking in West Germany; a country that would cease to exist less than two years after Virgin Machine’s release. 6.4/10
BBC TV movies are of a solid, uniform quality. Daphne is no exception. This is a good movie. But that’s as far as I’m willing to go. 6.4/10
In a mere 80 minutes, My First Summer features good directing and some lead teenagers who actually have unique experiences and personality traits. 7.2/10
Maja Ma ultimately succeeds from having a clear sense of societal as well as artistic purpose. This is a film that managed to combine the two really well. 7.3/10
Love’s Lone Flower is a beautiful tragedy. There’s a sad poetry to the story. But more so, this is a beautiful film to look at. 6.7/10
Everything Will Be Fine feels like the future. This film is youthful, modern and effortlessly progressive. 6.5/10
The sci-fi universe of Harmony is a welcome change of pace from yet another romantic drama. 7.3/10