Chuck Chuck Baby was an unusual delight of a movie. A queer musical set in a chicken factory. The final product is so assured, so well-done and so delightful. 7.2/10
Month: <span>September 2024</span>
Love Sick falls pretty neatly into this kind of European indie movie about the young generation; freedom and debauchery of city living and some grit in the story as well as the visuals. Love Sick chose for its grit to be incest, which is a bold choice. 5.5/10
Cheap, amateur and uninspired, Louise and Her Lover is a chore to sit through. 1.9/10
The brief period of time where at least in fiction, you could hide away from the troubles of the world in the arms of a pretty girl might be coming to an end. In its place is Foreign Language, where even in the arms of a pretty girl, the rise of far-right extremism and environmental collapse loom ever-present. 7.7/10
Baja Come Down just doesn’t give you enough reason to care about any of this. It fails to elevate this realistic story into something that feels like art that would move its audience. 2.8/10
Summer is a competent film in a pretty overcrowded subgenre of other competent films. Summer is a pretty middling entry over all; not one of the all time greats, but still a good movie on its own. 6.4/10
Suicide Kale is fine. It has some minor laughs, mild intrigue and some genuine empathy at its centre. But it’s not exactly a standout in any way. 5.5/10
Adan had a decent idea for how to start its movie and seemingly, a specific way it wanted the film to end. And in between? Bad character work, lousy sex scenes and a plot that doesn’t so much gradually get more unhinged but rather does so in fits and starts. 3.7/10