Scrubbers is an excellent piece of feminist filmmaking and a welcome alternative to women in prison exploitation. Its understanding and depiction of humanity is something that looks so easy under the eye of director and co-writer Mai Zetterling. 8.2/10
Tag: <span>country: UK</span>
There’s a vagueness to Silver Haze even while its visuals are blunt and unflinching. All of this feels fitting for a film that takes its title from a strain of weed. 6.1/10
This is an above average small-budget indie film. It’s a way above average semi-autobiographic film. There’s a lot to celebrate here. Just ignore my overall rating. 6.0/10
Gornick’s confidence in centralizing her experiences and thoughts is admirable. But of the three films of hers I’ve seen, Tick Tock Lullaby is the weakest. And after three movies of Gornick’s thoughts, it veers away from highlighting a marginalized voice as it becomes so specifically about Lisa Gornick as a person. 5.0/10
Chuck Chuck Baby was an unusual delight of a movie. A queer musical set in a chicken factory. The final product is so assured, so well-done and so delightful. 7.2/10
This movie is so bad that it made me respect cinema as a genre more, with the notable exception of The White Book which reconstructed my conceptualization of what a truly terrible film looks like. 1.4/10
Fresh Kill doesn’t quite manage to marry its political and philosophical observations with its fictive narrative. 5.8/10
Love Lies Bleeding is an engaging, nasty and occasionally muddled crime picture. It’s a great addition to WLW movie canon because of how much it does that’s unique. 7.5/10
The ambition of Book of Monsters far exceeds its practical realities. This isn’t just a horror movie, but a splatter-heavy creature feature. And unfortunately, Book of Monsters is very, very cheap. 4.1/10
Sex is weird. Sexuality is perhaps weirder. The Book of Gabrielle understands and even celebrates that through its lead character’s stories and experiences. 6.6/10