Chuck Chuck Baby was an unusual delight of a movie. A queer musical set in a chicken factory. The final product is so assured, so well-done and so delightful. 7.2/10
Tag: <span>country: UK</span>
This movie is so bad that it made me respect cinema as a genre more, with the notable exception of The White Book which reconstructed my conceptualization of what a truly terrible film looks like. 1.4/10
Fresh Kill doesn’t quite manage to marry its political and philosophical observations with its fictive narrative. 5.8/10
Love Lies Bleeding is an engaging, nasty and occasionally muddled crime picture. It’s a great addition to WLW movie canon because of how much it does that’s unique. 7.5/10
The ambition of Book of Monsters far exceeds its practical realities. This isn’t just a horror movie, but a splatter-heavy creature feature. And unfortunately, Book of Monsters is very, very cheap. 4.1/10
Sex is weird. Sexuality is perhaps weirder. The Book of Gabrielle understands and even celebrates that through its lead character’s stories and experiences. 6.6/10
Blue Jean is great at showing at once how far the LGBTQ* community has come and how much work still must be done to reach equality. All of this is done with a tight, focused narrative, assured directing and solid performances. 7.9/10
BBC TV movies are of a solid, uniform quality. Daphne is no exception. This is a good movie. But that’s as far as I’m willing to go. 6.4/10
The medium chosen to tell this story and the quality of directing brings down Stud Life’s vibrant, likeable and realistic protagonist. 5.1/10
Even while looking directly at it, The Adored failed to grab my full attention or leave a strong impression. 2.4/10