This is a movie I wish I enjoyed more. But sometimes there’s a gulf between watching a movie as a general thing and watching a sapphic movie. Luxurious Bone works as an overall movie. But if you watch it as I did, with a focus towards the sapphic element, the film will likely disappoint. 4.9/10
Tag: <span>genre: drama</span>
Jules of Light and Dark has much in common with its protagonist. Both are vague, aimless and don’t evoke any strong emotion in me as a viewer. 3.6/10
Love Is a Map is a decent indie movie. Shame it left almost no memorable impression on me. 5.2/10
Showing one’s real story is a respectable goal, especially when it’s something as frequently sensationalized as polyamory. But Petit Mal is so specific it doesn’t work as a portrait of polyamory. It only functions as a portrait of Ruth Caudeli’s specific relationship. 4.5/10
I cannot say the film is bad necessarily, but it’s just really something I didn’t need to see. Both because I’ve already seen other Flunk movies and because I’m not at a point yet where I want to see a romance that’s directly regarding the Covid-19 pandemic. 5.1/10
Get ready to yearn in harmony , because Farewell Song will make you do just that. 7.1/10
l just think if you’re going to make a story as melodramatic as Who Am I Now? that you need to have some specifics. It can’t just be constant scenes of women crying, declaring, “I can’t do this” and running away. 3.2/10
This is an above average small-budget indie film. It’s a way above average semi-autobiographic film. There’s a lot to celebrate here. Just ignore my overall rating. 6.0/10
Far from depicting unconditional love, Coming Home For Christmas portrays extremely conditional love and support. There’s a line in the movie about how family should be the place where you can be the truest version of yourself. But everything that happens in this movie disproves that. 2.7/10
For a movie that exceeds the two hour mark, I expected there to be more… something to West North West. 5.5/10