The subtly of And Breathe Normally is impressive. There’s nuance, emotion and kindness in this cold and mundane universe. 6.8/10
Tag: <span>genre: drama</span>
More than being an involved story, To Kill the Beast is a celebration of what can be accomplished with the moving image. It’s all vibes all the time. 6.9/10
Love/Juice has one of the most fascinating, fucked up and tragic relationship dynamics I’ve seen in a WLW film. I’m blown away that this tiny little indie pulled off such dramatic heights. 7.4/10
Having the bisexual, butch Sister Thirteen as protagonist is extremely progressive and ultimately, a big win in the field of representation. But because this film was made in 1998, this representation is not without its problematic aspects. 5.6/10
I’m a big fan of how The Quietude depicts its fucked up content. They underplay it. There’s this sense that the characters in the film and perhaps the film itself don’t quite realize how fucked up this all is. And that juxtaposition makes it all the more disturbing. 7.5/10
The medium chosen to tell this story and the quality of directing brings down Stud Life’s vibrant, likeable and realistic protagonist. 5.1/10
The visuals can’t really add much to such a character-heavy story. Or maybe there’s a way they could, but that wasn’t present in Navidad. 5.3/10
Nice though it is to look at, Bonnie & Bonnie doesn’t bring much new to the gay couple crime spree subgenre. 5.8/10
If nothing else, Capital I is a singular viewing experience. It’s inscrutable, pretentious and very low budget. 2.3/10
The War Widow undoubtedly looks like a 1976 TV movie. But within that framework, there is a sweet, small yet quietly radical romance. 6.3/10