As a remake and really, as a queer film for someone as jaded as me, The Wedding Banquet exceeded my expectations. This is a pitch-perfect dramedy and a really excellent remake that expands on the original’s themes in a way the original could not have done. 9.0/10
Tag: <span>language: english</span>
Tormenting the Hen felt like the product of a writer’s retreat; calibrated and intentional but potentially out of touch with an audience beyond other creatives. 4.7/10
The film is an artistic exploration of people at the fringes of a subculture. It crafts that subculture as something capable of great beauty under the direction of Monika Treut and her colour-saturated, Dutch angle-loving camera. 7.3/10
Prom Dates is like if Booksmart was designed by a Disney+ committee. That’s all you need to know, really. 5.5/10
Scrubbers is an excellent piece of feminist filmmaking and a welcome alternative to women in prison exploitation. Its understanding and depiction of humanity is something that looks so easy under the eye of director and co-writer Mai Zetterling. 8.2/10
This is the kind of story that is sometimes necessary to write to “get it out of your system” early in a creative career. It’s also the kind of story that’s going to have a lot more meaning for the writer than for any given audience. 2.2/10
Sure, the script could’ve used another draft and the acting isn’t gonna win anyone an Oscar. But this is such a heartwarming, wonderfully ordinary romance that shows queer and trans joy at any age. 5.9/10
If you’re gonna play in the BDSM as horror/thriller space, I’m gonna need some really no-flinching nastiness. Also, more of a focus on the psychology of the characters that got them to such a place. If you’re not going to do either of those things, you might as well just make porn to begin with. 4.0/10
There’s a vagueness to Silver Haze even while its visuals are blunt and unflinching. All of this feels fitting for a film that takes its title from a strain of weed. 6.1/10
The Fallout. This is an incredibly sensitive and well-directed tragedy about specifically American teenagers. Megan Park really knows how to create a young female protagonist who is realistic, interesting, flawed and engaging to watch. 9.0/10