The film is an artistic exploration of people at the fringes of a subculture. It crafts that subculture as something capable of great beauty under the direction of Monika Treut and her colour-saturated, Dutch angle-loving camera. 7.3/10
Tag: <span>language: english</span>
Prom Dates is like if Booksmart was designed by a Disney+ committee. That’s all you need to know, really. 5.5/10
Scrubbers is an excellent piece of feminist filmmaking and a welcome alternative to women in prison exploitation. Its understanding and depiction of humanity is something that looks so easy under the eye of director and co-writer Mai Zetterling. 8.2/10
This is the kind of story that is sometimes necessary to write to “get it out of your system” early in a creative career. It’s also the kind of story that’s going to have a lot more meaning for the writer than for any given audience. 2.2/10
Sure, the script could’ve used another draft and the acting isn’t gonna win anyone an Oscar. But this is such a heartwarming, wonderfully ordinary romance that shows queer and trans joy at any age. 5.9/10
If you’re gonna play in the BDSM as horror/thriller space, I’m gonna need some really no-flinching nastiness. Also, more of a focus on the psychology of the characters that got them to such a place. If you’re not going to do either of those things, you might as well just make porn to begin with. 4.0/10
There’s a vagueness to Silver Haze even while its visuals are blunt and unflinching. All of this feels fitting for a film that takes its title from a strain of weed. 6.1/10
The Fallout. This is an incredibly sensitive and well-directed tragedy about specifically American teenagers. Megan Park really knows how to create a young female protagonist who is realistic, interesting, flawed and engaging to watch. 9.0/10
This is harmless, indulgent wish fulfillment that puts a lesbian relationship as something that spans multiple universes and timelines . I so badly want to share in that joy. But this is not a well-executed project on almost any level. 4.7/10
This is a great little time capsule of 90s lesbian culture both in its small scale production and its larger scale optimism about lesbians breaking through into the mainstream and being largely normalized. 6.0/10