With the obvious exception of The Handmaiden (which has the unfair advantage of being the best WLW movie), The Night Watch is the best adaption of a Sarah Waters novel that I’ve seen. 8.4/10
Tag: <span>language: english</span>
Another day, another zany yet lazy comedy best left forgotten. 3.7/10
Surely there’s a way to make a movie about repression without making it quite so dull. 4.4/10
The best part of Without is that it is intriguing and engaging. The worst part is that it doesn’t really amount to anything. 5.7/10
, if you want a movie that makes you feel comfortable like you’re wearing an old sweater your grandma knitted for you with love, that’s the kind of mood Late Bloomers is for. 5.9/10
Bad Girl never thinks too far outside the box. But inside that box it at least has decent directing, good pacing and good acting. 5.9/10
If you’re looking for a WLW movie to build furniture to, Claire of the Moon is a great option. 6.3/10
Within trying to undo a faulty narrative and craft a new one, Wild Nights made the delightful choice to do so with comedy. 9/10
Kajillionaire has so much going on in it and every part of it is handled so brilliantly. The film is a slowburn romance/belated coming of age story using the crime genre as framework and mixed in with comedic sensibilities. 9.3/10
Shiva Baby is a great little comedy and incredibly self-assured for being the feature length debut of filmmaker Emma Seligman. 8/10