Overall, Lovesong is a really solid little movie. I can’t imagine it will be anyone’s favourite WLW film but it’s also fairly free of overt flaws. 6.6/10
Month: <span>February 2020</span>
The Chambermaid Lynn wants two things. It desperately wants to be Amelie. It also wants you to take it completely seriously. Those two wants are directly contradictory. 5.2/10
The Watermelon Woman is one of the best WLW films of the 90s. Please watch it. 8.9/10
Like any subgenre, there are good films and bad ones. The Gymnast isn’t really either. It’s a pretty middling movie overall. 6.0/10
Not only did I cry at Two of Us but the stranger to my right and the stranger to my left in the theatre did as well. You probably will too. 9.4/10
Of over 800 WLW films I’ve found, less that 20 have African American protagonists. Here’s every film I could find with an African American protagonist.
Saying that Summer Lover is like a bad soap opera would be an insult to bad soap operas. 2.6/10
A Perfect Ending is a well-performed drama with enough intelligence and talent to portray topics of WLW sexuality and death without falling into one of the many pitfalls both those plots have. 7.6/10
Yes or No 2: Come Back To Me is just one cliche after another, whether that be romance cliches or overused jokes. I found it charming in the first movie but this time around, I did not.
Appropriate Behavior is one of the best WLW comedies I’ve seen in a while. It’s also one of the best WLW comedies full stop. 9/10